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Live
Venue address
Palmers Lane
Aylsham, Norwich
NR11 6JA
United Kingdom
The East Anglian Art Sale
Auction dates
Jul 24, 2025 01:00 PM BST
Lots: 400-500
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Auction currency
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GBP |
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Buyer's premium
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22 % (exc. Sales tax) |
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Online commission
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3.95 % (exc. Sales tax) |
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Accepted cards for registration
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There are 77 lots within this auction
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Featured lot
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John Reay (British,1947-2011), Lowestoft beach scene, impasto oil on board, signed, 255x168cm, framed
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Colin Burns (b.1944), Brixham Harbour, oil on canvas, signed, 110x49cm, framed.
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British / Norwich School, 19th / early 20th century, landscape and village with figures and cattle, oil on canvas, 56x47cm, framed.
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403
Circle of John Berney Ladbrooke (1803-1879), Figures on a woodland path, oil on canvas, 70x60cm, framed
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William Frederick Austin (1833-1899), Horning Ferry and Costessey Bridge, watercolours, signed, 45x27cm, framed and glazed (2)
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Attributed to John Crome (1769-1821), Countryside landscape with a lone figure walking beside a thatched building, 34.5x27cm, framed.
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Owen Waters (1916-2004), 'Early March Landscape, Norfolk', oil on board, signed, dated 1974 on backboard, 39x29cm, framed
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407
Adrian Taunton (British, 20th century), 'Cley, Norfolk', watercolour, signed and dated '88, 35x36cm, framed and glazed
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Leslie LH Moore (1907-1997), A Norfolk Mill, watercolour, signed, 56x38cm, framed and glazed
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In the manner of John Crome (1768-1821), Landscape view, oil on board, unsigned, 28.5x18.5cm, framed
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410
Owen Waters (1916-2004), 'Newtimber Hill S.Downs Sussex', oil on board, signed, 60x45cm, framed (board is loosely housed in frame).
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Colin Burns (b.1944), "Brents on the Essex Marshes", oil on canvas, signed, 49x74.5cm, framed.
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Colin Burns (b.1944), inscribed on frame verso 'Horsey Mill', oil on canvas, signed, 59.5x90cm, framed
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Raymond Leech RSMA (b.1949), Cromer beach, oil on board, signed, 40x28cm, framed
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James Stark (1794-1859), Pencil study of a figure stood alongside a carriage, 8x9cm, framed and glazed
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Geoffrey Chatten (British, b.1938), Farmland, oil on board, signed, 59x44cm, framed. Some small areas of loss to paint surface though the overall paint surface is stable.
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416
John Moore of Ipswich (British,1820-1902), 'Fishing Boats and Man-o'-War' off the Suffolk Coast', oil on canvas, unsigned, bears artist name plate, 94x64cm, framed. Fine Art & Interiors, Norwich.
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Capt. Greenville Collins (1624-1694), 'Yarmouth and the Sands about it', hand coloured copper engraved map, pub. Freeman Collins, London, between 1693-1792, 58x46cm, framed and glazed
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418
Graham Howlett (British, 20th century), Cley Mill, watercolour, signed, 52x37cm, framed and glazed
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419
Joseph Paul (1804-1887) View on the Yare near Thorpe Church, oil on panel, 18x13ins, unsigned, bears artist name plate, framed.
After James Stark - scenery of the Rivers of Norfolk.
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420
John Sell Cotman (1782-1842), View of East Barsham House, etching, plate LVI, dated 1813, 32x34cm, framed and glazed.
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421
Charles Joseph Stainland (1838-1916), Montage of eight pen and ink East Anglian scenes in paper, 'Brancaster from beach', 'from Brancaster Staith', 'Snettisham', 'Castle Rising sntrance to keep', 'Wreck Hunstanton', 'Castle Rising - Bridge over Moat', Bridge and Ford- Snettisham', 'Heacham from Rd to K. Lynn', 10x3cm (smallest), 15x12cm (largest), signed to lower left, 47x32.5cm, framed and glazed
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In the manner of John Sell Cotman (1782-1842), Rural cottage scene, pencil on paper, unsigned,15x21cm, framed
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Ivan Taylor (b.1946), "River Thurne, Norfolk", oil on board, signed, 21x15ins, framed.
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Owen Waters (1916-2004), 'A Norfolk Farm', oil on board, signed, 38.5x28.5cm, framed
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Geoffrey Chatten (British,b.1938), Tall mast ship in a squall, oil on board, signed, 69.5x53cm, framed
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426
Jack Cox (1914-2007), Sunset / sunrise view of birds alighting over marshland, oil on board, signed, 70x44cm, framed
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427
John Sell Cotman (1782-1842), 'Walsoken Church', plate 52 and 'Interior of the Chancel of Walsoken Church, Norfolk' dated 1817, 41x25cm, 39x32cm respectively, framed and glazed (2)
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428
John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series of Sketches and Studies' 1838 Bohn edition, together with 'Norwich Thorpe', no.18, 1834 (originally created 1805-14), 18x11cm, 14x12cm respectively, framed and glazed (2)
From Christopher Glanville RWA collection.
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Raymond Leech RSMA (b.1949) View over Thurne Mill, oil on board, signed, 38x29cm, framed
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Jack Cox (1914-2007) View over an estuary /marshland, watercolour, signed, 32x23cm, framed and glazed
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432
William Ward ARA (1766-1826) after Thomas Weaver (1774-1843), 'Portrait of Thomas William Coke Esqr. M.P. for Norfolk, Inspecting some of his South down Sheep with Mr. Walton and the Holkham Shepherds', mezzotint, published by Thomas Weaver, Shrewsbury, 1808, 79x64cm, framed and glazed
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Arthur E. Davis RBA (1893-1988), 'Norwich Cathedral', watercolour, signed, 39x28cm, framed and glazed
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British School, 20th / 21st century, 'The River Deben, Suffolk' watercolour, indistictly signed lower left, 37x28cm, framed and glazed
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435
John Sanders (British,18th century), 'To the Rev'd the Dean & Chapter of Norwich, This View of the Choir of the Cathedral is dedicated by their most obliged and most respectful humble servant, John Sanders', pub. London, 1782, Leveton & Sons Ltd (Norwich), label on backboard, 50x47cm, framed and glazed
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436
Arthur Gerald Ackermann (1876-1960), 'Hornchurch Mill', watercolour, signed and dated 1916, 14.5x9.5cm, framed and glazed
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British School, 18th century, 'The Cathedral Church of Norwich', copper plate engaving, plate XXIV, engraved by Collins 1713, Leveton & Sons Ltd label on backboard, 60.5x50cm, framed and glazed
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Jack Cox (1914-2007), Beached boats on the shoreline, oil on board, signed, 33x18cm, framed
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Owen Waters (1916-2004),Trafalgar Square, London, oil on board, signed, 29.5x21cm, framed.
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Owen Waters (1916-2004), View from the riverbank, oil on board, signed, 39.5x29.5cm, framed
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Owen Waters (1916-2004), View over a rural landscape to a distant village and church, oil on board, signed, 39.5x29.5cm, framed
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Owen Waters (1916-2004), View through a country gateway to a farm yard and buildings, oil on board, signed, 39.5x29.5cm, framed
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Owen Waters (1916-2004), Broadland scene and a view over an estuary, oils on board, signed, 19.5x29.5cm and 29.5x21.5cm respectively, framed (2)
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444
Owen Waters (1916-2004), A Rural lane and winter scene, oils on board, signed, 22x14cm and 29.5x19cm respectively, framed (2)
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445
Owen Waters (1916-2004), View across a country landscape and a winter scene over fields, oils on board, signed, 29.5x21cm, framed (2)
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John Sutton (British, b.1935), 'Scarecrows', watercolour, signed and dated dated 1973, 42x27cm, framed and glazed
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Shirley Carnt (British, 20th century), 'Early Morning Feeders (ii). Thornham Saltings', oil on board, signed, 42x16.5cm, framed. Stable Gallery, Kelling label on backboard
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Geoffrey Chatten (b.1938), Berney Arms, oil on board, signed, 24x19cm, framed.
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449
In the manner of John Crome (1768-1821), Landscape view with foreground cows on the riverbank, oil on board, unsigned, 38.5x23cm, framed
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British School, 19th century, study of a rolling stream / brook, bankside buildings and central bridge, pencil on paper, bears indistinct pencil inscription lower left, 46x33cm, framed and glazed.
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British School, 19th century, Rural scene with a figure standing by a pond and mill / cottage, pencil on paper, bears indistinct signature / inscription and date that appears to read 1834, 21x16cm, framed and glazed
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452
In the manner of John Sell Cotman (1782-1842), Study of a derelict building with a foreground cart and grazing cattle, pencil on paper, unsigned, 30x27cm, framed and glazed
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453
Attributed to John Berney Ladbrooke (1803-1879), Study of a cottage by waters edge, pencil on paper, signed 'J.B. Ladbrooke' and dated 1850 lower left, 33x22.5cm, framed and glazed.
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454
Colin Burns (b.1944),"Snipe on Runham Marshes", watercolour, signed, 30x15cm, gouache, framed and glazed.
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455
Stephen John Batchelder (1849-1932), View on the Broads, watercolour, signed, 43.5x23.5cm, framed and glazed.
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British School, 19th century, Countryside landscape view with a distant ruin, pencil on paper, unsigned, 46x33cm, framed and glazed.
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457
Stephen John Batchelder (1849-1932), 'Evening South Walsham Dyke', watercolour, signed, 32x23cm, framed and glazed
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British School, 19th century, View through woodland trees to a clearing and cottage, pencil on paper, 50x40cm, framed and glazed
Featured lot
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Stephen John Batchelder (1849-1932), Horning Ferry, watercolour, signed, 57x26.5cm, framed and glazed
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460
Peter Henry Emerson (1856-1936), "The Haunt of the Pike", 1886 (plate XV) and "Marshman going to Cut Schoof Stuff", 1887, (plate XXII), from "Life and Landscape on the Norfolk Broads", platinum prints, 27.5x19cm and 27.5x18cm respectively, framed and glazed (2)
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